My work lives at the intersection of cinema and the natural world, shaped by years of crafting intimate, atmospheric stories through Grandma’s House Studios.
I approach nature the same way I approach filmmaking:
as a world of characters, tension, quiet arcs, and fleeting moments of truth.
as a world of characters, tension, quiet arcs, and fleeting moments of truth.
Most days you’ll find me in the woods before sunrise, waiting for the first movement in the branches or the shift of light across a field. Birds, wildlife, and the subtle rhythms of the landscape are my cast. The forest is my set. The weather is my lighting department. And patience is the only way the story reveals itself.
My background in film and sound design taught me to pay attention — to mood, to silence, to the way a scene breathes. That sensibility guides every frame I make. I’m drawn to the cinematic details of the natural world: the stillness before a bird takes flight, the texture of rain on moss, the way light cuts through trees like a quiet spotlight.
My goal is simple:
to create images that feel like they belong in a film — immersive, emotional, and alive.
to create images that feel like they belong in a film — immersive, emotional, and alive.
This site is a collection of those moments.
Thanks for stepping into the world with me.
Thanks for stepping into the world with me.
